Home Truth

Filmed over the course of nine years, HOME TRUTH chronicles one family’s pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence tragedies can linger throughout generations. In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursued her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. When her legal journey finally achieved widespread national change and she became an acclaimed activist, Jessica struggled to put her life and relationships back together.
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A Thousand Girls Like Me

A THOUSAND GIRLS LIKE ME is an awe-inspiring vérité documentary that tells the story of a young Afghan woman’s brave fight to seek justice and protect her children after experiencing years of abuse at the hands of her father. Khatera Golzad’s father physically and sexually abused her for more than thirteen years, and after several aborted pregnancies, she gave birth to a daughter and a son. Despite her many attempts to file charges, neither the Afghan police nor the legal system helped her. In 2014, she appeared on national television to publicly accuse her father, finally succeeding in bringing her case to court despite threats from male relatives and judges who labelled her a liar. Shedding light on the broken Afghan judicial system and the women it seldom protects, A THOUSAND GIRLS LIKE ME is the story of one woman’s battle against cultural, familial, and legal pressures as she embarks on a mission to set a positive example for her daughter and other girls like her. In a country where the systematic abuse of girls is rarely discussed, Afghan filmmaker Sahra Mani’s film is ultimately a story of bravery, love, hope and resilience.
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Primas

PRIMAS is an evocative and poetic portrait of two Argentine teenage cousins who come of age together as they overcome the heinous acts of violence that interrupted their childhoods. When Rocío was 10 years old, she was dragged from her bike by a stranger, raped, set on fire and left for dead. Now a teenager, she still grapples with memories of the nightmarish assault that left her body scarred. Together with her cousin Aldana, who was sexually abused for years by her own father, she lives, laughs and shares her story. Traveling through Argentina and Montreal, the two cousins embark upon a program of theater, dance, and circus that helps them process complex emotions. Little by little, they manage to rebuild the lives that were so brutally stolen from them and free themselves from the shadows of their past. A humanistic exploration of familial love, creativity, and courage in the wake of sexual violence, PRIMAS is a moving tribute to the deep strength of resilient women.
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Breaking Silence

Three Muslim women share their stories of sexual assault—and, in a deeply personal way, they challenge the stigma that has long suppressed the voice of survivors. Throughout America, many Muslim communities persist in stigmatizing all discussion of sex-related subjects. Even though sexual assault and abuse are widespread, conversations about it are rare—and the pressure for victims and their families to “keep it a secret” helps perpetuate abuse. BREAKING SILENCE takes a radical and humanizing approach to the emotional scars of sexual assault, giving women the space to share their voices without shame. Deepened by the perspectives of Imam Khalid Latif of The Islamic Center at NYU, the film challenges stereotypes and cultural beliefs held by both Muslims and the non-Muslim public. It is indispensable for those dealing with sexual assault and abuse in academic and non- academic settings, courses on Islamic and Middle Eastern Studies and Women’s Studies, and for any discussion of violence against women.
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What Doesn't Kill Me

Every day, 5 million children in the U.S. either witness or are victims of domestic violence. In the current system, a judge is more likely to award child custody to the violent father if the mother tries to escape the abusive relationship. In fact, fathers win up to 70 percent of contested cases even when they’ve been found guilty of domestic or sexual violence against the mother or the children. Most people are unaware of the shocking imbalance of power and how hard mothers have to fight to protect their children. In this bold and provocative film, mothers, lawyers, and domestic violence experts share intimate personal stories, hard-hitting facts and frank discussions about what is wrong with the system and how to fix it. WHAT DOESN'T KILL ME features the indomitable 86-year-old Charlotta Harrison, who stayed 60 years in an abusive marriage to protect her son. She speaks hauntingly about the pressures and fears that made it so difficult to leave. You will also meet other women and children who have been separated, silenced, and pushed to extreme solutions in order to escape. Hear their stories and what they’re doing to fight back.
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A Better Man

From Executive Producer Sarah Polley, A BETTER MAN follows a series of intimate conversations between a woman and her former boyfriend when she confronts him about their history of domestic abuse. More than 20 years have passed when filmmaker Attiya Khan asks her ex-boyfriend, Steve, to meet. Steve abused Attiya every day during the two years they lived together. She finally fled out of fear for her life, and has carried the emotional scars ever since. Now, Attiya wants to talk to Steve—on camera—searching to answer a question that is both simple and incredibly complicated: Will Steve take responsibility? A BETTER MAN follows this bold and radical exploration of restorative justice. Through emotionally raw conversations, Attiya and Steve begin a new recovery process—and illustrate a new paradigm for domestic violence prevention. The film offers a fresh and nuanced look at the healing and revelation that can happen for everyone involved when men take responsibility for their abusive behavior.
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What Happened to Her

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor’s experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body. The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliché laid bare. Essential viewing for Pop Culture, Women’s and Cinema Studies classes.
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Faces of Harassment

FACES OF HARASSMENT is an experiment in storytelling about trauma. When the hashtag #MyFirstHarassment swept across Brazil, it showed not only the widespread experience of sexual harassment and assault, but a widespread hunger to bring it out of the shadows. FACES OF HARASSMENT amplifies this movement, by opening space for women to speak their own truth. The film was shot in a mobile storytelling van, parked in rich and poor neighborhoods alike across São Paulo and Rio de Janeiro and open to any woman. The van was a free, autonomous space, where women spoke to the camera directly, no interviewer or other influence present. FACES OF HARASSMENT offers an honest and unflinching look at the scourge of sexual harassment and assault - and at the radical possibilities for dignity and healing that can happen when women are free to speak completely for themselves.
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Ovarian Psycos

Riding at night through streets deemed dangerous in Eastside Los Angeles, the Ovarian Psycos use their bicycles to confront the violence in their lives. At the helm of the crew is founder Xela de la X, a single mother and poet M.C. dedicated to recruiting an unapologetic, misfit crew of women of color. The film intimately chronicles Xela as she struggles to strike a balance between her activism and nine year old daughter Yoli; street artist Andi who is estranged from her family and journeys to become a leader within the crew; and bright eyed recruit Evie, who despite poverty, and the concerns of her protective Salvadoran mother, discovers a newfound confidence. The film Ovarian Psycos rides along with the Ova’s, exploring the impact of the group’s activism, born of feminist ideals, Indigenous understanding and an urban/hood mentality, on neighborhood women and communities as they confront injustice, racism, and violence, and take back their streets one ride at a time.
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Dreamcatcher

“You got any dreams you wanna catch?” Sundance award winner DREAMCATCHER takes us into a hidden world of prostitution and sexual trafficking through the eyes of one of its survivors, Brenda Myers-Powell. A former teenage prostitute with a drug habit, Brenda defied the odds to become a powerful advocate for change in her community, and works to help women and young girls break the cycle of sexual abuse and exploitation. DREAMCATCHER lays bare the hidden violence that devastates the lives of these young women, their families and the communities where they live in Chicago and Brenda’s unflinching intervention that turns these desperate lives around. With unprecedented access, multi-award winning director, Kim Longinotto (SISTERS IN LAW, ROUGH AUNTIES, SALMA) paints a vivid portrait of a community struggling to come to terms with some of its most painful truths and of the extraordinary woman who uses her past to inspire others to survive. With warmth and humor, Brenda gives hope to those who have none in the four magic words she offers up to everyone she meets: “It’s not your fault.”
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India's Daughter

INDIA’S DAUGHTER is the powerful story of the 2012, brutal gang rape on a Delhi bus of a 23 year old medical student, who later died from her injuries. In 2012, it made international headlines and ignited protests by women in India and around the world. BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, Udwin got exclusive, first time on camera interviews with the rapists and defense attorney, none of whom express remorse. The defense attorney goes even further, stating that “immodest” women deserve what happens to them. An impassioned plea for change, INDIA’S DAUGHTER pays tribute to a remarkable and inspiring young woman and explores the compelling human stories behind the incident and the political ramifications throughout India. But beyond India, the film lays bare the way in which societies and their patriarchal values have spawned such acts of violence globally.
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Unafraid: Voices From the Crime Victims Treatment Center

A deeply personal documentary, UNAFRAID gives voice to four, diverse rape survivors and takes a historic look back at the pioneering treatment center where they now receive counseling. In her directorial debut, Karin Venegas highlights the work of two unsung feminist heroes in the movement for victims’ rights at the height of 1970s feminism and the Women’s Movement. From breaking victims’ silence to the revolutionary invention of the rape kit, this powerful film intimately explores the impact of rape and the capacity of ordinary individuals to effect change. Although frequently referenced in popular culture, few audiences know of the rape kit’s feminist origins. UNAFRAID is the first film to address the grassroots genesis of this important tool, which not only made it easier to convict in the criminal justice system but which helped shape our very cultural acceptance of rape as a serious crime, worthy of prosecution and compassionate treatment. Together, UNAFRAID’s collage of voices aims to lift the stigma that traps victims in silence – and to remind its audience that social change is indeed possible. Essential viewing for Criminal Justice, Law and Women’s Studies Classrooms.
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Life After Manson

Life After Manson is an intimate portrait of one of the world’s most infamous crimes and notorious killers. At 21 years old, Patricia Krenwinkel callously murdered three people at the command of Charles Manson. Now 66 years old, she continues to be demonized by the public and haunted by the suffering she caused over four decades ago. Through an exclusive interview with and never before seen footage of Krenwinkel, filmmaker Olivia Klaus (SIN BY SILENCE), frames a historically irreconcilable story through a complex emotional lens, offering insight into what led a suburban girl to commit crimes the world will never forget. A provocative and powerful character study, LIFE AFTER MANSON reveals a broken woman struggling with her past, her arduous effort to evaluate the cost of her choices, and the possibility of self-forgiveness.
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Private Violence

EmmyTM Nominated PRIVATE VIOLENCE explores a simple but deeply disturbing fact of American life: the most dangerous place for a woman in America is her own home. Every day in the U.S., at least four women are murdered by abusive (and often, ex) partners. Through the eyes of two survivors—Deanna Walters, a mother who seeks justice for the crimes committed against her at the hands of her estranged husband, and Kit Gruelle, an advocate who seeks justice for all women—we bear witness to the complex realities of intimate partner violence. Their experiences challenge entrenched and misleading assumptions, providing a lens into a world that is largely invisible; a world we have locked behind closed doors with our silence, our laws and our lack of understanding. PRIVATE VIOLENCE begins to shape powerful, new questions that hold the potential to change our society: "Why does he abuse?" "Why do we turn away?" "How do we begin to build a future without domestic violence?"
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Brave Miss World

In October 1998, eighteen-year-old Linor Abargil was stabbed and raped while working as a model in Milan. Weeks later she was crowned Israel’s first Miss World. Over the course of five years, director Cecilia Peck (Shut Up & Sing) follows Abargil, on a mission to confront the trauma of her past, including a hunt for other victims of the man who raped her, preventing his parole. Abargil, a poised, magnetic and supremely empathic advocate travels from Hollywood to rape crisis centers, American college campuses and the townships of South Africa to share her story and inspire others to confront shame and to heal. Emmy nominated BRAVE MISS WORLD is a call for justice and a startlingly honest portrayal of how personal tragedy can be transformed into a global awareness campaign against sexual violence. This special edition includes both the theatrical version (88min) and the educational version (60min), which is tightly paced and specifically designed for student audiences. Also included are exclusive bonus scenes, a report by Gloria Allred on a previously unpublished campus rape investigation, survivor testimonials and filmmaker interviews.
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Red Wedding: Women Under the Khmer Rouge

The Killing Fields in Cambodia became known to the world but little is known about the struggles of the women left behind. From 1975-79, Pol Pot’s campaign to increase the population forced at least 250,000 young Cambodian women to marry Khmer Rouge soldiers they had never met before. Sochan Pen was one of them. At 16, she was beaten and raped by her husband before managing to escape, though deeply scarred by her experience. After 30 years of silence, Sochan is ready to file a complaint with the international tribunal that will try former Khmer leaders. With quiet dignity, she starts demanding answers from those who carried out the regime’s orders. To tell a story little known outside Cambodia, Cambodian Lida Chan and French-Cambodian Guillaume Suon include Khmer Rouge era footage underscoring war’s traumatic legacy for Sochan’s generation of women. Awarded two prizes at Amsterdam’s prestigious International Documentary Film Festival, RED WEDDING demonstrates the liberating power of speech and memory in the quest for justice.
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The Grey Area: Feminism Behind Bars

THE GREY AREA is an intimate look at women’s issues in the criminal justice system and the unique experience of studying feminism behind bars. Through a series of captivating class discussions, headed by students from Grinnell College, a small group of female inmates at a maximum women’s security prison in Mitchellville, Iowa, share their diverse experiences with motherhood, drug addiction, sexual abuse, murder, and life in prison. The women, along with their teachers, explore the “grey area” that is often invisible within the prison walls and delve into issues of race, class, sexuality and gender. The number of women in prison has grown by over 800% in the past three decades, two thirds are mothers and are incarcerated for non-violent offenses and more than 80% have been victims of domestic violence or sexual assault at some point in their lives. THE GREY AREA is an important look into the complex factors behind these statistics and how feminism sheds light and brings hope to those incarcerated. This is an excellent film to prompt discussion in women’s studies, courses that include prison reform or violence against women, American studies and sociology.
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Saving Face

Winner of the Academy Award® for Best Documentary (Short Subject), SAVING FACE is a harshly realistic view of violence against women in South Asia. Every year in Pakistan, many women are known to be victimized by brutal acid attacks, with numerous cases going unreported. Plastic surgeon Dr. Mohammad Jawad left his prominent London practice to return to his home country and help the victims of such attacks. Two of these women, Zakia and Rukhsana, are victims of brutal acid attacks by their husbands and in Rukhsana’s case, her in-laws as well. Both attempt to bring their assailants to justice and move on with their lives with the help of NGOs, sympathetic policymakers, politicians, support groups with other acid attack victims and Dr. Jawad. SAVING FACE also depicts a Pakistan that is changing - one where ordinary people can stand up and make a difference and where marginalized communities can seek justice.
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Invoking Justice

In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Award-winning filmmaker Deepa Dhanraj (SOMETHING LIKE A WAR) follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives. Above all, the women’s Jamaat exists to hold their male counterparts and local police to account, and to reform a profoundly corrupt system which allows men to take refuge in the most extreme interpretation of the Qur’an to justify violence towards women.
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Duhozanye: A Rwandan Village of Widows

During the 1994 genocidal campaign that claimed the lives of an estimated 800,000 Rwandans and committed atrocities against countless others, Daphrose Mukarutamu, a Tutsi, lost her husband and all but two of her 11 children. In the aftermath she considered suicide. But instead, she took in 20 orphans and started Duhozanye, an association of Tutsi and Hutu widows who were married to Tutsi men. This powerful documentary by award-winning Norwegian director Karoline Frogner recounts the story of Duhozanye’s formation and growth - from a support group of neighbors who share their traumatic experiences, rebuild their homes, and collect and bury their dead, to an expanding member-driven network that advances the empowerment of Rwandan women. Featuring first-person accounts by Daphrose and other Duhozanye widows, the film shows association members helping women victims of rape and HIV/AIDS, running small businesses and classes in gender violence prevention, and taking part in national reconciliation through open-air people’s courts where they can face, and often forgive, their loved ones’ killers.
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The Price of Sex

An unprecedented and compelling inquiry, THE PRICE OF SEX sheds light on the underground criminal network of human trafficking and experiences of trafficked Eastern European women forced into prostitution abroad. Photojournalist Mimi Chakarova’s feature documentary caps years of painstaking, on-the-ground reporting that aired on Frontline (PBS) and 60 Minutes (CBS) and earned her an Emmy nomination, Magnum photo agency’s Inge Morath Award, and a Webby for Internet excellence. Filming undercover with extraordinary access, even posing as a prostitute to gather her material, Bulgarian-born Chakarova travels from impoverished rural areas in post-Communist Eastern Europe, including her grandmother’s village, to Turkey, Greece, and Dubai. This dangerous investigative journey brings Chakarova face to face with trafficked women willing to trust her and appear on film undisguised. Their harrowing first-person accounts, as well as interviews with traffickers, clients, and anti-trafficking activists, expose the root causes, complex connections, and stark significance of sexual slavery today.
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Maria in Nobody's Land

MARIA IN NOBODY'S LAND is an unprecedented and intimate look at the illegal and extremely dangerous journey of three Salvadoran women to the US. Doña Inés, a 60 year old woman, has been looking for her daughter for five years and is following the same route her daughter took. Marta and Sandra, tired of the violence from their husbands and wanting to overcome poverty, decide to leave their families behind to travel to America - with only thirty dollars in their pockets. During their harrowing journey, the three women encounter prostitution, slave trade, rape, kidnapping and even death, in an unwavering quest for a better life. In making this documentary, a team of six journalists and filmographers rode with migrants on the tops of trains and slept in migrant shelters. As the immigration debate continues to be a hot button issue, this film, which helps to bring understanding to these urgent issues, is essential for courses on human rights, Latin American studies, Chicano studies, immigration, labor, international studies and women's studies, as well as for public libraries and interested community groups.
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In the Name of the Family

Schoolgirl Aqsa Parvez, sisters Amina and Sarah Said, and college student Fauzia Muhammad were all North American teenagers—and victims of premeditated, murderous attacks by male family members. Only Muhammad survived. Emmy® winner Shelley Saywell examines each case in depth in this riveting investigation of "honor killings" of girls in Muslim immigrant families. Not sanctioned by Islam, the brutalization and violence against young women for defying male authority derives from ancient tribal notions of honor and family shame. As friends and relatives trace escalating tensions leading to the crimes, IN THE NAME OF THE FAMILY explores community reactions to the tragic events. The film also delves into the dual, precarious existence of other young Muslim women struggling to bridge two worlds, along with Muslim women’s efforts to help girls at special risk. With consummate documentary skills and a passion for human rights, Saywell puts a much needed human face on a subject that is all too often silenced or sensationalized in post-9/11 North America.
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Quest for Honor

A searing and necessary documentary, QUEST FOR HONOR, which premiered at the Sundance Film Festival and was shortlisted for an Academy® Award nomination for Feature Documentary, investigates the still prevalent practice of honor killing in the Kurdistan region of northern Iraq. The alarming rise in the heinous act of men killing daughters, sisters and wives who threaten “family honor,” endangers tens of thousands of women in Iraq, Turkey, Jordan and adjoining countries. The Women’s Media Center of Suleymaniyah, Iraq, has joined forces with Iraq’s Kurdish Regional Government (KRG) to end this practice. The film follows Runak Faranj, a former teacher and tireless activist, as she works with local lawmen, journalists and members of the KRG to solve the murder of a widowed young mother, protect the victim of a safe-house shooting, eradicate honor killing and redefine honor. This is essential viewing for Muslim and Islamic studies, Middle Eastern studies, and human rights courses.
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Weapon of War

In no other country has sexual violence matched the scale of brutality reached in the Democratic Republic of Congo (DRC). During nearly two decades of conflicts between rebels and government forces, an estimated 150,000 Congolese women and girls fell victim to mass rape. That figure continues to rise. WEAPON OF WAR, an award-winning film honored by Amnesty International, journeys to the heart of this crisis, where we meet its perpetrators. In personal interviews, soldiers and former combatants provide openhearted but shocking testimony about rape in the DRC. Despite differing views on causes or criminal status, all reveal how years of conflict, as well as discrimination against women, have normalized brutal sexual violence. We also see former rapists struggling to change their own or others’ behavior, and reintegrate into their communities. A companion to FIGHTING THE SILENCE and its portraits of Congolese rape survivors, this indispensable resource provides unique insights into strategic uses of rape as a military weapon - and the motives of the men who employ it.
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Señorita Extraviada, Missing Young Woman

SENORITA EXTRAVIADA, MISSING YOUNG WOMAN tells the haunting story of the more than 350 kidnapped, raped and murdered young women of Juárez, Mexico. Visually poetic, yet unflinching in its gaze, this compelling investigation unravels the layers of complicity that have allowed for the brutal murders of women living along the Mexico-U.S. border. In the midst of Juárez’s international mystique and high profile job market, there exists a murky history of grossly underreported human rights abuses and violence against women. The climate of violence and impunity continues to grow, and the murders of women continue to this day. Relying on what Portillo comes to see as the most reliable of sources – the testimonies of the families of the victims –SEÑORITA EXTRAVIADA, MISSING YOUNG WOMAN documents a two-year search for the truth in the underbelly of the new global economy. An Independent Television Service (ITVS) Production.
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Macho

In 1998, Managua, Nicaragua became host to one of the most publicized and controversial cases of sexual abuse to hit modern day Latin America. At the epicenter of the scandal stood none other than Nicaraguan Sandinista leader and ex-President Daniel Ortega. Revered as a revolutionary hero and symbol of military strength, Ortega was accused on multiple charges of rape and battery by his stepdaughter, Soilamerica Narvaez. Despite Ortega's eventual acquittall--he was granted immunity from prosecution as a member of the legislature--a group of pioneering men rallied around the episode to organize a radical campaign against domestic violence and sexual abuse. Their efforts eventually led to the formation of the internationally acclaimed organization, Men Against Violence. MACHO, a film by Lucinda Broadbent, provides an in-depth profile of Men Against Violence and its ground-breaking work towards eliminating attitudes of male chauvinism (known as machismo in Spanish) that have perpetuated violent acts against women in Nicaragua and Latin America. The film strongly demonstrates that despite living in one of the most destitute countries in Latin America, this group has succeeded in providing a model that is used by men worldwide to discuss issues of violence and advocate for the rights of women. MACHO offers a rare glimpse at the methods used by Men Against Violence to discuss the abuse of power and the damage it causes families and communities. It also is a powerful film that challenges assumptions about "machismo" and its continued application to Latino culture. In the end, MACHO demonstrates that violence against women and sexual abuse is a worldwide epidemic that needs to be addressed by all men in every country.
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The Vienna Tribunal

Highlights of moving personal testimonies at the Global Tribunal on Violations of Women's Rights-held in conjunction with U.N. World Conference on Human Rights in Vienna in 1993-reveal why women's rights need to be seen as human rights. Made in conjunction with the Center for Women's Global Leadership at Rutgers University, THE VIENNA TRIBUNAL is not simply a film documenting events of the past, but a thought-provoking analysis of the abuses women suffer all over the world.
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After the Montreal Massacre

On December 6, 1989, a gunman entered the engineering building at the University of Montreal and killed fourteen women. This forceful, moving documentary situates this extraordinary crime within the context of other kinds of violence against women. A wounded survivor and other students describe the harrowing event, widely understood as a backlash against feminism. Activists and journalists explain its impact, linking the massacre with cases of rape, sexual harassment and torture worldwide. This lucid, thought-provoking film is indispensable for organizations dealing with violence against women, as well as for women's studies classes.
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How Nice to See You Alive

On March 31, 1964, a military coup overthrew the Brazilian government. Four years later, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache. Filmmaker Murat, like the interviewees, was herself tortured and imprisoned; her film shatters the silence imposed on the survivors and the collective will to forget.
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Sari Red

Made in memory of Kalbinder Kaur Hayre, a young Indian woman killed in 1985 in a racist attack in England, SARI RED eloquently examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres. In this moving visual poem, the title refers to red, the color of blood spilt and the red of the sari, symbolizing sensuality and intimacy between Asian women.
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Rate It X

What do men really think of women? This provocative, highly acclaimed documentary provides an unflinching look at sexism in America. A series of disturbing though sometimes amusing portraits uncover obvious culprits such as advertising firms and porn shops as well as often overlooked pockets of sexist imagery which promote gender stereotyping and reinforce negative conceptions of women and sexuality. With great humor and compassion, the film reveals men's deeply imbedded attitudes, showing how sexism becomes rationalized through commerce, religion and social values. Hotly controversial upon its release, RATE IT X is a challenging, invaluable film that illuminates crucial issues of censorship, advertising, pornography and violence against women. Produced by Lynn Campbell, Claudette Charbonneau, Paula De Koenigsberg and Lucy Winer.
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A Jury of Her Peers

On a desolate American farm in the early 1900's, a farmer is found murdered in his sleep and his wife is jailed as the prime suspect. A powerful adaptation of the 1917 Susan Glaspell short story of the same name, based on her play "Trifles", A JURY OF HER PEERS presents a riveting tale of revenge, justice and women’s shared experience. Equally relevant in women’s studies courses and for use with organizations battling violence against women, this riveting feminist classic probes the notion of women’s victimization and justifiable homicide and opens the possibility for the creation of an alternate, feminist justice and judgment. Two women, a neighbor and the sheriff’s wife, find themselves in the accused woman’s kitchen while the prosecuting attorney and their husbands search the farm for motive for the crime. As the camera lingers on small details in the kitchen – spilled sugar, a broken chair, crooked stitches in a quilt piece – the motive becomes clear as the suspect’s isolated life of physical and emotional abuse is revealed. As each new clue further incriminates the accused, the women must decide whether to reveal the evidence against her and become, in effect, a jury of her peers.
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