While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Hammer
Disabling a military aircraft with a hammer is madness. Doing it twice is divine.
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
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Libertad (Working Title)
Alejandra, an Indigenous, transgender woman from Oaxaca, Mexico prepares to visit her hometown to reunite with her mother for the first time after 28 years in the United States. Alejandra's homecoming journey is explored through the multiple communities she identifies with as she calls for solidarity and mutual liberation.
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It's Not Who I Am
Women are going to jail and prison at rates that have increased by 700% since 1980, a rate 50% higher than men. When they are released, they have expectations of starting life anew, however, in their re-entry journey, they are often confronted with an unforgiving society.
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Cancer: A Love Story (Working Title)
Cancer: A Love Story is an autobiographical documentary about my battle with cancer, confronting sexual assault, and the crazy things I did to heal myself. It’s a survival story, but also a story of mothers and daughters, and the intimacies of women’s bodies.
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The Gas Station Attendant
Telephone conversations the filmmaker recorded with her father while he worked nights at a gas station reveal a remarkable journey, from living on the streets of India to a chance encounter that would bring him to the United States.
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Providencia
When a Colombian woman confronts a genetic legacy of early-onset Alzheimer’s, her family's fate becomes entwined with scientists racing for a cure, before memory itself disappears.
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GIVE IT A SHOT
GIVE IT A SHOT follows scientists in India and the U.S. developing a new male contraceptive that could revolutionize family planning and improve women’s lives globally.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Our Body Electric
OUR BODY ELECTRIC follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.
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Bad Girl Marcia Tucker
After being fired from NYC's Whitney Museum for her radical exhibitions, feminist curator Marcia Tucker founded the New Museum in 1977 to champion marginalized artists. Through rare archive and insight from today's artworld rebels, BAD GIRL MARCIA TUCKER traces Marcia's defiant legacy – offering a blueprint for resistance in the face of contemporary threats to art, artists, and art institutions.
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Barbara Forever
BARBARA FOREVER is an exclusive look at the iconic life, work, & legacy of pioneering lesbian experimental filmmaker, Barbara Hammer, tracing her prolific canon alongside never-before-seen documentations of her life and body, to reveal Hammer's unconventional attempts to live on forever.
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SEE YOU IN AUGUST
Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
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River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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Awra Amba
In rural Ethiopia, the village of Awra Amba has defied patriarchy, religion, and hierarchy for over 50 years– building a peaceful, gender-equal society from scratch. But as civil war erupts and their founder is forced into exile, the community must fight to protect its fragile vision from collapse.
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