While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Hammer
Disabling a military aircraft with a hammer is madness. Doing it twice is divine.
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
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The New York Love Songs
Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey filmed over 20 years.
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Kokusekihou (working title)
A Japanese-born woman lost her Japanese citizenship after naturalizing in the United States. Stranded in Japan during the COVID-19 border closures, she finds herself living in legal limbo and launches a constitutional challenge against Japan’s nationality law and its single-citizenship principle.
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The Day Iceland Stood Still
When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975 the country came to a standstill. Unexpectedly funny and told for the first time, this is the true story of one day that catapulted Iceland to the world’s superpower of gender equality.
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Before The Feast (Nilam Kātha Kālam)
A bittersweet story of love, loss and legacy. In Kochi’s sea-facing salt marshes, aging farmer Vincent is the keeper of a rare seed for the next generation. When a rising sea conspires to damage his crops, causing his family to drift away, an unexpected tragedy causes the tides to turn.
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I Love Bed-Stuy
Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
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Postmortem
POSTMORTEM, a hybrid documentary film and theater project, is a boundary-pushing crime drama about a girl who didn’t tell her childhood secret—and the woman she becomes, who does.
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American Fall
A road trip through the U.S. in the fall of 2024 to discover what unites us.
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House No.7
After escaping their conservative societies, three women, rent rooms in an old Damascene house in Damascus, Syria, where they manage to create a safe space isolated from the madness of the post-war era. But soon the girls start facing many threats, thus protecting their fragile space becomes a challenge.
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Call Me Dancer
When a hip-hop dancer accidentally walks into a ballet class in Mumbai, his world opens up and a passion is born. The tough ballet master recognizes his talent and dares him to fulfill his dreams of dancing professionally - giving him the courage to defy family, culture and poverty.
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Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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ARTIFACTS
The life of a successful yet isolated photographer changes as she learns how to cope with a rare visual disease.
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Next Generation Sex
Do kids have a basic right to learn about their own bodies and sexuality? A local backlash to sex ed sparks a national firestorm.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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My Name Is Andrea
A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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